My print design considers not only how something looks, but how it lives in the world. I approach print and environmental design by thinking about context first: where will this be seen, by whom, and what does it need to make someone stop, read, or act. From large-format environmental installations to community event flyers, I've designed print work that's built for real-world conditions — legible at a distance, durable under pressure, and specific enough to feel like it belongs exactly where it's placed.